By Jacobus Dixon

Superheroes and costumed vigilantes were the bread and butter of the comic book magazine industry. They were colorful he-men who took no guff from nobody but ddidn’tuse their abilities to abuse innocent people. They were like local sports stars everybody would cheer for. But as a group, they weren’t very diverse. Their costumes were different, but underneath they were all just a bunch of muscle-bound, wealthy white guys. This was the group that had the money, so popular art and commercial products were primarily aimed at pleasing them above everyone else (unfortunately this is still true for some products).  And if you weren’t one of these wealthy white guys, these products would make you want to adjust your aesthetic tastes to be accepted into their sphere of influence. However, some felt that this pandering was a little too exclusive. William Moulton Marston was one of those people.

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Superman Comics

By Jacobus Dixon

If you love comic books, then there’s a pretty good chance that you like movies as well. So isn’t it great when the powers that be decide to put the time, money, and effort into a motion picture that gives these characters a chance to jump off the page? Well…it can be when it’s done right. But while movies and comics are very similar, they do have their differences. With illustration, the only thing that can hamper the artist is a lack of imagination and/or a decent hard surface to draw on with good light. With cinema, you’ve got all these different lights, sets, props, actors, sound technicians, visual effects technicians, assistants, studio hands…woof, it’s a lot. And what’s happening is that you have this virtual army of people bringing to life something that took maybe one or two guys to create. So to say that things get messy is a bit of an understatement. Fortunately though, there are times when the planets align, and this army is able to adapt a piece just beautifully. But…like I said, it’s once in a blue moon.

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By Jacobus Dixon

It was bad enough having to contend with Captain Marvel, but now Superman-DC (the nickname given to comics from National Allied Publications and Detective Comics Inc. as they unofficially merged) had to deal with Captain America as well. One was a living childhood fantasy; the other was a super-idealized form of what happens when you mix nationalism and super heroics. Yeah, Superman’s great, but he’s a grown up while Captain Marvel is actually still a kid doing amazing things. And it’s fun watching Batman and Robin take on the Joker with nothing but their manpower and wits, but Captain America is fighting the real threat of German spies. While both Batman and Superman are certainly not devoid of neither childhood fantasy nor real world danger (or at least as real as it gets in terms of comic book writing), those subjects did not feature as strongly in their stories. So how did they contend with characters that used them as a solid foundation?

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Remember our DC Bombshells Covers Guide? How about our recent DC Selfies Covers Guide? Well, DC is currently releasing an all new army of LEGO covers for its ongoing series! Read on for the complete guide and release dates of these wacky, fun-filled LEGO variants!

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FunComics

By Jacobus Dixon

Throughout mythology you have these basic archetypes that define a culture’s heroes. Whether it’s with incredible strength, quick wits, or nimble swiftness, these characters use these talents to maintain an idealized status quo. However, there’s another class of hero whose habits dangerously border on being something not so much admired and awed…but feared. The Spectre is one of those heroes.

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